This is the first volume that examines dangerous gift-giving across centuries and disciplines. Bringing to the fore the subject that features as an aside in gift studies, it offers new insights into the ambivalent and troubled history of gift-giving. Dangerous, violent, and self-destructive gift-giving remains an alluring challenge for scholars almost a hundred years after Marcel Mauss's landmark work on the gift. Globally, the notion of toxic and fateful gifts has haunted mythologies, folklores, and literatures for millennia. This book problematizes what stands behind the notion of the 'dangerous gift' and demonstrates how this operational term may help us to better understand the role and place of gift-giving from antiquity to the present through a series of case studies ranging from ancient Zoroastrianism to modern digital dating. The book develops a complex historical, cross-cultural, and multi-disciplinary approach to gift-giving that invites comparisons between various facets of this phenomenon through time and across societies. The book will interest a wide range of scholars working in anthropology, history, literary criticism, religious studies, and contemporary digital culture. It will primarily appeal to university educators and researchers of political culture, pre-modern religion, social relations, and the relationship between commerce and gifts.

This book explores the dark, unruly, and self-destructive side of gift-giving as represented in nineteenth-century literary works by American authors. It asserts the centrality and relevance of gift exchange for modern American literary and intellectual history and reveals the ambiguity of the gift in various social and cultural contexts, including those of race, sex, gender, religion, consumption, and literature. Focusing on authors as diverse as Emerson, Kirkland, Child, Sedgwick, Hawthorne, Poe, Douglass, Stowe, Holmes, Henry James, Twain, Howells, Wilkins Freeman, and O. Henry as well as lesser-known, obscure, and anonymous authors, Dangerous Giving explores ambivalent relations between dangerous gifts, modern ideology of disinterested giving, and sentimental tradition.

This book explores the dark, unruly, and self-destructive side of gift-giving as represented in nineteenth-century literary works by American authors. It asserts the centrality and relevance of gift exchange for modern American literary and intellectual history and reveals the ambiguity of the gift in various social and cultural contexts, including those of race, sex, gender, religion, consumption, and literature. Focusing on authors as diverse as Emerson, Kirkland, Child, Sedgwick, Hawthorne, Poe, Douglass, Stowe, Holmes, Henry James, Twain, Howells, Wilkins Freeman, and O. Henry as well as lesser-known, obscure, and anonymous authors, Dangerous Giving explores ambivalent relations between dangerous gifts, modern ideology of disinterested giving, and sentimental tradition.

Founder of the detective genre and author of works on cryptography, Edgar Allan Poe possessed what Shawn Rosenheim called a "cryptographic imagination." Not only was Poe's work influenced by secret writing, it inspired future critics to search his texts for secret clues and that fostered new modes of reading. Poe's acclaimed complexity owes as much to a long and sophisticated tradition of his interpretative reading as it does to the "undercurrent of meaning" ciphered in his texts. Grounded in previous scholarly work, Deciphering Poe: Contexts, Subtexts, Subversive Meanings explores the hoaxing and subversive nature of Poe's art and expands this contextual framework. Contributors to the volume offer a highly nuanced picture of Poe's engagement in the major discourses of the time-religious, philosophical, social, and literary. Twelve essays of the collection discuss Poe's debt to baroque tradition, his response to Catholicism, his tribute to philosophical idea of sublimity, his complex response to racial issues, and his controversial afterlife reception. The volume includes new readings of Poe's texts explicitly using codes, secret writing or techniques of detection-"The Gold Bug," The Narrative of Arthur Gordon Pym, and the Dupin tales. The essays in the collection were originally presented as talks at the Poe Studies Association's Third International Edgar Allan Poe Conference: The Bicentennial in October 2009. The contributors are Poe scholars from the United States, France, Germany, and Canada: Amy C. Branam, Lauren Curtright, Daniel Fineman, William E. Engel, John C. Havard, Henri Justin, John Edward Martin, Sean Moreland, Philip E. Phillips, Stephanie Sommerfeld, and Timothy N. Towslee.

Founder of the detective genre and author of works on cryptography, Edgar Allan Poe possessed what Shawn Rosenheim called a "cryptographic imagination." Not only was Poe's work influenced by secret writing, it inspired future critics to search his texts for secret clues and that fostered new modes of reading. Poe's acclaimed complexity owes as much to a long and sophisticated tradition of his interpretative reading as it does to the "undercurrent of meaning" ciphered in his texts. Grounded in previous scholarly work, Deciphering Poe: Contexts, Subtexts, Subversive Meanings explores the hoaxing and subversive nature of Poe's art and expands this contextual framework. Contributors to the volume offer a highly nuanced picture of Poe's engagement in the major discourses of the time-religious, philosophical, social, and literary. Twelve essays of the collection discuss Poe's debt to baroque tradition, his response to Catholicism, his tribute to philosophical idea of sublimity, his complex response to racial issues, and his controversial afterlife reception. The volume includes new readings of Poe's texts explicitly using codes, secret writing or techniques of detection-"The Gold Bug," The Narrative of Arthur Gordon Pym, and the Dupin tales. The essays in the collection were originally presented as talks at the Poe Studies Association's Third International Edgar Allan Poe Conference: The Bicentennial in October 2009. The contributors are Poe scholars from the United States, France, Germany, and Canada: Amy C. Branam, Lauren Curtright, Daniel Fineman, William E. Engel, John C. Havard, Henri Justin, John Edward Martin, Sean Moreland, Philip E. Phillips, Stephanie Sommerfeld, and Timothy N. Towslee.